‘Going Solo - reflections on the rehearsal scene in The Gold Diggers’, Motor Dance Journal Issue 1: The Solo (2022).

‘Bacon today - RA Magazine asks five artists how his art and ideas endure in their work’, RA Magazine, issue 153: Winter 2021.

‘Unsung Heroes: Ron Vawter ‘, Tate Etc.  issue 46: Summer 2019.

‘Remembering the Spectacle’, in Sophia Yadong Hao (ed) Of Other Spaces: Where does Gesture Become Event?, Sternberg Press (2019).

‘Culture is a Birthright’: Eight Leading UK Artists on the Perils of Excluding Arts in Schools, freize, 12 June 2018.

‘Women Look at Women: A New Show About 1970’s Art Pioneers’, AnOther Magazine, 13 February 2018.

‘Thee Thy Thou Thine - a fragment’, in Daniel Sack (ed) Imagined Theatres: Writing for a Theoretical Stage, Routledge (2017). 

Scripts by Rose English in Guy Brett, Abstract Vaudeville: The Work of Rose English. Edited by Martha Fleming and Doro Globus, with interviews by Anne-Louise Rentell. Ridinghouse, London (2014).

'Heavenly Horses & Exquisite Equestriennes', chapter in Ivan Kralj (ed), Women & Circus, Mala Performerska scena, Croatia (2011).

'Artist's Notes' in Sophia Yadong Hao and Matthew Hearn (eds), NOTES on a Return, Art Editions North (2010), pp 30 - 35.

'Dance Fever' - excerpt from 'The Double Wedding', Charlotte Mullins (ed), Variety, De la Ware Pavilion (2006). pp 34 – 35

'The Witness' Text' in Bock & Vincenzi, Invisible Dances ... from afar: a show that will never be shown, Artsadmin, London (2004).

Rosita Clavel, Artist's book, Walks on Water, London (1998).

‘Walks on Water’ (full playscript) in Deborah Levy (ed),Walks on Water, Methuen, London (1992).

Excerpt from ‘Plato’s Chair’ in Chris Crickmay and Miranda Tufnell, Body, Space Image, Virago, London (1990), pp 96-97, 162-163, 207.

Alas Alack! The Representation of the Ballerina, New Dance, Summer 1980, No. 15, p 18 -19.

Mounting, Artist's book co-authored with Sally Potter and Jacky Lansley. Museum of Modern Art, Oxford (1977).